Kuch kuch hota hai trailer
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However, this subtlety was completely disregarded in college films of the ‘70s and ‘80s that were hellbent on creating recognizable and standout looks. In Do Raaste (1969) Rajesh Khanna embraced the joy of a cotton shirt and trousers while the girls stood out in their winged eyeliners, colour-blocked suits, tunics, and white dupattas. In Haseena Maan Jayegi (1968) Shashi Kapoor rocked checkered blazers, a suave haircut, and bright-coloured shirts while Babita brought out the carefree attitude of a college student in her A-line flared dresses, bouncy hair, big earrings, shades, clutch bags, and crop tops with ripped necklines.
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And while campus fashion in the sixties revolved around frills, froth, and fun, it still remained quite understated. It was only in the campus films of the ‘60s that fashion started to become more pronounced. Following the herd was College Girl (1960), where Vyjayanthimala propagated the importance of education among girls while donning numerous salwar suits accompanying them with a modest dupatta. The only hint of fashion in this college-wear is in the intricate prints of her blouses, similar to Noor Jehan’s floral print sari in Dilip Kumar’s Jugnu (1947). In the 1948 film, Aag, which also marked Raj Kapoor’s debut as director and producer, Kapoor’s Kewal Khanna wore a combo of shirt, trousers and blazer, while his crush Nimmo (Kamini Kaushal) is almost always seen in a sari. Through the 1950s, college fashion didn’t come to have a distinct identity in the same way college films didn’t occupy a separate genre in film-making. Also Read: Where Do Dharma’s Amazing Costumes Go After The Film Is Overīut campus fashion has not always been this flashy or obvious, even though it has always had recurring motifs.